Pinkish-Lavender Jadeite Double Cabochon Pendant

At the centre of the composition is a substantial pinkish-lavender jadeite double cabochon. Measuring 35.1 × 32.0 × 26.3 mm, its rounded front and reverse preserve exceptional front-to-back volume, allowing the material to be read three-dimensionally rather than primarily through surface area.

The pinkish-lavender color is held within this full, rounded form, bringing color, translucency and visual depth into the same field of view.

Above it, an Imperial green jadeite element measuring 12.2 × 11.4 × 6.5 mm introduces a precise chromatic counterpoint, while diamonds bring a finer rhythm of reflected light around the composition.

The hierarchy is deliberate: the setting frames the jadeite rather than competing with it. The design exists to clarify the material, while the pinkish-lavender jadeite remains the visual centre.

Violet Jadeite: Color Is Only the Beginning

Violet jadeite is often approached first through color, yet color alone does not define material quality. A considered assessment looks at how the violet is carried through the stone, how it interacts with translucency, how fine the internal texture appears, and whether the material retains visual depth rather than appearing flat or opaque.

The central pinkish-lavender jadeite measures 35.1 × 32.0 × 26.3 mm. Its substantial front-to-back volume is particularly important. A large face-up dimension can sometimes be achieved by reducing thickness; visual scale therefore does not necessarily mean material volume. Here, the 26.3 mm depth gives the double cabochon a genuinely three-dimensional presence.

Form & Volume

A double cabochon should not be understood simply as a shape.

Its curvature and thickness influence how much natural material is preserved, how color is carried through the stone, and how light moves through the jadeite.

In a substantial double cabochon, width, thickness, curvature and polish must be considered together. The question is not simply whether the stone appears large, but whether its volume, proportions and material integrity remain convincing as a whole.

Color & Light

Violet jadeite can change noticeably under different lighting conditions.

Natural daylight itself is not a single fixed reference: morning, midday and late-afternoon light differ in color temperature, while artificial lighting can alter the apparent warmth and saturation of violet.

For this reason, Feiyuehui considers violet color together with texture, translucency, thickness, volume and its appearance across different viewing conditions.

Imperial Green as Counterpoint

Above the central violet cabochon is an Imperial green jadeite element measuring 12.2 × 11.4 × 6.5 mm.

Its role is not to compete equally with the violet centre, but to create a controlled chromatic counterpoint.

The contrast between violet and saturated green makes each color more legible, while the difference in scale preserves the hierarchy of the composition.

Where the term “glass-type” is used for this piece, it refers specifically to the Imperial green jadeite element and describes its fine-textured, highly translucent appearance. It is a trade description rather than a laboratory grade.

What places a jadeite piece within Feiyuehui High Jewelry is never one isolated characteristic.

In this work, attention begins with the substantial volume of the central pinkish-lavender double cabochon. At 35.1 × 32.0 × 26.3 mm, its presence is not created by face-up dimensions alone; thickness and curvature remain integral to the stone.

The Imperial green jadeite above it introduces a second material character and a deliberate contrast in color and scale. Each jadeite element can first be considered independently — for color, translucency, texture, proportion, finish and integrity — before the relationship between them is considered as a whole.

Rarity becomes meaningful when qualities coexist. Color may attract the eye first; material completeness determines whether attention remains.